Cuba - Castro, Colonialism and cars
Cuba has none of the grand photography magnets of other countries - its attractions are far
more intimate, as Clive Minnitt discovered on a trip to unearth the island's four-wheeled treasures.
Cuba is the largest of all Caribbean Islands, one of the most northerly and, arguably, one
of the most intriguing. It’s rather colourful recent history has engaged the eyes of the world
upon it. Public health and the educational systems are highly regarded, it’s cigars are world
famous and it’s salsa music revered. Yet, continuing trade restrictions, frequent power cuts,
lack of good standard food and generally poor transportation made me wonder why the country
was becoming a popular tourist destination.
1950s American car in Old Havana. Colonial buildings provide a suitable backdrop for brightly coloured vehicles.
Canon EOS1 with 28-80mm lens, Velvia 50, f/11
It had not been included in my list of destinations I most wanted to visit until, oddly enough,
I first visited the USA. I remember being hugely disappointed on finding none of the old 1950’s
American cars I thought would be still be popular. It niggled me for several years until I
heard a rumour that Cuba had an abundance of them. The only way to find out was to go and see
for myself.
Christopher Columbus landed in Cuba in 1492, the beginning of Spanish rule which was to last
over 400 years apart from a brief British incursion which lasted only a year. Havana became
the capital in 1607, growing to a current population of 2 million. and in 1895-8, the War of
Independence finally ended Spanish rule after US interference. From the early 1900’s until 1953,
Cuba experienced both prosperous and repressive times. In 1958 Fidel Castro, aided by Che Guevara
and other revolutionaries, overthrew the government of President Batista, and is still in power today.
The Photographer's Kit
For two weeks in Cuba Clive packed two canon EOS1 bodies – one of which was loaded with velvia 50,
the other with fast ISO400 film for people shots. Three lenses – a 17-35mm f2.8 L USM, 28-80mm f2.8 L USM
and a 100-300mm f5.6 L – and a stuirdy Gitzo (G1329) tripod with Manfrootto 410 head sufficed. A selection
of filters included Heliopan polariser, and Lee Filters warm-ups and ND grads. A LowePro Photo Trekker
AW bag (AW being “All Weather”, which incorporates very useful waterproof hood for those almost inevitable
tropical downpours) was his obedient donkey.
Strong ties with the USSR and the Cuban Missile Crisis; the movement of tens of thousands of
Cubans to Florida; trade embargoes by the US; the collapse of the economy after the fall of
the Soviet Bloc have meant a checkered recent history for Cuba. What does the future hold?
Opinions differ but many seem to agree that once Fidel Castro is no longer in power, things
will rapidly change.
A valid passport and a tourist card (available from the Cuban Consulate in London for a small fee)
was all that was officially required for my visit. In addition to T. Cheques (not American Express)
lots of small & medium denomination US Dollar notes were extremely useful. Cuba has a confusing
three-way monetary system in place – the US$ (legal tender since 1993), the Cuban Peso, and the
Peso convertible. Ironically, the $ symbol is used to denote all three. Visitors will find it
difficult to pay for anything other than in US$.
For my 14 day visit in August/September, I booked a hotel in Havana for the first few nights
in advance. The rest were booked a few days ahead at a time, either at comfortable Casa
Particulars (private houses with lodging facilities) or hotels. It would be difficult not
to find accommodation in Cuba as everyone knows someone who has room to rent. Touts rule ok!
Horse No. 155, Trinidad. This image wasn't planned. The woman walked into frame just before
I was about to press the shutter. Surely it invites a caption competition:
'Is this where the Loan Arranger lives...?'
Canon EOS1 with 28-80mm lens, Velvia 50, f/11
Although I had images of cars in mind on my arrival, I was excited at what other subjects
had to offer. Bearing in mind that during most of the year, Cuba is hot and humid, whatever
camera gear is carried should be reasonably light. I work with 35mm Canon equipment all the
time and time and find it ideal for the type of work I do. Two EOS1 bodies, three lenses,
17-35 f2.8 L USM, 28-80 f2.8 L USM and 100-300 f5.6 L, and a sturdy Gitzo (G1329) tripod
with Manfrotto 410 head suffice. I always feel more comfortable purchasing as much film
as I think I’ll need (plus a lot more!) before I leave home. Yes, it’s extra weight but
it would be calamitous to run out of film and then find it isn’t possible to replenish stocks.
Taking two camera bodies, gives me an invaluable spare, and would also allow me the luxury
of having faster film at the ready – Cuba is ideal for photographing people.

Balconies of the old town, Havana. Outside the relatively small area of restoration,
many buildings are crumbling and in a considerable state of disrepair
Canon EOS1 with 28-80mm lens, Velvia 50, f/11
Photo Essentials
- Old American cars - especially outside the Capitolio building in central Havana.
- The Malecon, late afternoon and dusk for people and waterfront shots.
- Plaza Vieja and Plaza de la Catedral for beautiful architecture and details
- Plaza de la Revolution - take a cocotaxi - stark but worth visting.
- Havana skyline at dusk from Castillo del Morro.
- Views overlooking Valle de Vinales, especially at dawn.
- Trinidad's Colonial buildings and wrought iron work.
I always carry all my film with my hand luggage and ask for a hand search at each airport.
Most X-ray machines are film safe for all but the fastest films but I feel more comfortable
with my films having as few exposures to X-rays as possible. Ironically, staff at British
Airports seem to less inclined to accept my kind offer for them to have a quick rummage
in my film bag. A LowePro Photo Trekker AW bag (AW being ‘All Weather’, which incorporates
a very useful waterproof hood for those almost inevitable tropical downpours) was my obedient donkey!
We probably all have pre-conceived ideas of the images we want to capture when visiting far-away
places. Famous icons such as the Eiffel Tower, The Matterhorn, Taj Mahal and the Sydney Opera House,
immediately spring to mind. Cuba is different and has a plethora of more intimate subjects on which
to train one’s lens.
In Havana, the restored Old Town (Havana Vieja) is a delight to wonder around. Colonial squares,
particularly Plaza Vieja and Plaza de la Catedral, are steeped in history and rich in imagery
- archways, colonnades, balconies, shutters, pastel colours. If all this is music to the ears,
then the sound of Habaneros playing a variety of music will seduce you into staying even longer
whilst you compose your photographs.
Blues and greens, Trinidad. This UNESCO World Heritage Site is a gem of a place to visit.
Cobbled streets, red tiled roofs, colourful cars, colonial houses and friendly locals
ensure a memorable visit.
Canon EOS1 with 28-80mm lens, Velvia 50, f/11, Polariser
A short walk from the Old Town along the delightful Calle Obispo is the Capitolio Building.
In front of the Capitolio, the site of so many brightly coloured 1950’s cars is exhilarating,
a magnet to the photographer. The danger was to rush headlong into action. But by taking time
to consider the compositions, angles, relationship between subject matter and background,
colours, movement, etc. It wasn’t long before all sorts of pleasing images were captured.
In amongst all this pandemonium (it can get very busy), there are the three-wheeled yellow
cocotaxies (riding in one I imagine to be like hitching a lift in a boiled egg - probably
fuelled by Shell!) and the ridiculously overcrowded Camellos (old, split level, articulated
trucks) to tempt the shutter finger into action.
1950s American car and school bus, Havana. A favourite image - movement, colour, light,
composition and timing are all vital ingredients
Canon EOS1 with 17-35mm lens, Velvia 50, f/22 Polariser
The Malecón, Havana’s waterfront promenade, is a place not to be missed. It’s a favorite evening
haunt for Habaneros. The long sweep of the bay and it’s characterful buildings basking in warm,
low light at dusk, provide lots of options, many surprises, and is generally a good place to be.
Locals are careful to walk only on the sea side of the road, as many of the buildings opposite
are in a perilous state of disrepair and balconies have been know to fall! All three lenses
were used and my tripod was invaluable.
An alternative, an excellent viewpoint taking in the whole of the city’s waterfront at sunset,
is from the opposite side of the canal leading to Havana’s harbour, Castilio de los Tres Reyes
del Morro. There, the resident coastguard there decided I should have a guided tour of the his
office and had me view all the ships currently on the nearby seas through his powerful telescope.
Needless to say, there was a small price to pay afterwards! I’m sure he welcomes everyone with
open arms!
I loved Havana, and especially exploring backstreets that aren’t detailed in the guide books,
covering many miles on foot. Real gems of pictures can appear in an instant. I felt safe and
welcome. Sometimes too welcome, and not many minutes would pass before another “Hello, where
are you from?”, would be heard. A few minutes of friendly banter and the conversation would
invariably swing round to a plea for financial help.
After the hustle and bustle of the big city, a trip to the western tip of the island, to Viñales,
in the Pinar del Río Province made an excellent contrast. The wonderful, atmospheric vistas,
especially at dawn, overlooking the Valle de Viñales, were are firmly imprinted on my mind.
The tripod was ready thirty minutes before any light appeared in the sky. Cockerels crowed,
tropical insects did what they do best, the tripod was in position and slow speed Velvia film
loaded! Tree-covered hillocks (sounds like the start of an Irish joke!) made of limestone,
turned red as the first rays of the day hit them. A mist sprang up from between the palm trees.
It was as good as it gets.
My third location was eagerly anticipated. The city of Trindad lay six hours (by bus) to the
south-east of Havana, in the province of Sancti Spíritus., Another UNESCO World Heritage gem,
minute in comparison to the capitol but oozing with character. Cobblestone streets, colourful
buildings colonial architecture generated a feeling that I was caught in the middle of a centuries
old film set. Red tiled roofs, a single figure sitting contemplating behind a wrought iron
window grate, another old 1950’s America car in perfect juxtaposition with a similarly coloured
building. A goldmine of imagery lay in wait. A special place.
Cuba is most definitely a one-off, and a country where strange things happen – from the
bridegroom, who interrupted his wedding photography session to answer his mobile phone,
to the driver of the horse and cart I hired for the day – he handed the reins to a friend
for the first time and the horse suddenly veered left over two lanes of a dual carriageway
in front of oncoming traffic! We survived, but more than that, I’m definitely going back
for more adventures at the earliest opportunity.